Camera equipment rental in Mauritius and the Indian Ocean
MediaVision is an ARRI-certified rental house holding 115 camera items in stock in Mauritius, including the ARRI ALEXA Mini LF, ALEXA Mini and ALEXA SXT W, ARRI Signature Primes and a full range of prime and zoom glass, matte boxes, filters, follow focus, batteries and camera support.
Everything on this page ships with the option of technical film crew: camera operators, 1st and 2nd assistant camera, focus pullers, DITs and data wranglers who already know this inventory.
Why rent camera equipment regionally
From our warehouse in the north of Mauritius, Réunion is 245 km away, Madagascar 1,067 km, the Seychelles 1,728 km and the Maldives 3,201 km. Paris is 9,406 km. Sourcing a camera package here instead of freighting it from Europe removes a long-haul cargo leg, a set of customs touchpoints and several days of transit risk from your schedule. See our Indian Ocean coverage.
What we rent
Feature film, television, commercial, documentary and stills productions across Mauritius, Réunion, Madagascar, the Seychelles and the Maldives. Rentals run from a single body for a day to full packages on long-term lease. Prices are quoted per project: tell us your dates and package and we will come back with availability and a quote.
By brand
Our Sony range: the BURANO 8K, Cinema Line FX6 and FX3, the a7R V and a full set of G Master primes and zooms, is gathered on one page: Sony camera rental in Mauritius.
SmallRig VB155 Mini V-Mount Battery 155Wh
Sony FE 14mm f/1.8 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 14mm f/1.8 GM is an ultra-wide full-frame prime delivering edge-to-edge sharpness, minimal distortion, and a bright f/1.8 aperture for low-light and astro work. Part of MediaVision's Sony G Master set, it pairs natively with the Sony FX6 and Alpha bodies for expansive landscapes, interiors, and dramatic wide perspectives.
Sony FE 24-70mm f/2.8 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 24-70mm f/2.8 GM is a full-frame standard zoom offering constant f/2.8 aperture, G Master resolution, and fast, silent autofocus across its wide-to-short-telephoto range. Part of MediaVision's Sony G Master set, it is the versatile all-rounder for run-and-gun documentary and commercial work on the Sony FX6 and Alpha series.
Sony FE 24mm f/1.4 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 24mm f/1.4 GM is a compact, fast full-frame wide prime offering outstanding resolution, smooth bokeh, and a bright f/1.4 aperture for shallow depth of field. Part of MediaVision's Sony G Master set, it is ideal for landscapes, reportage, and low-light cinematography on the Sony FX6 and Alpha series.
Sony FE 35mm f/1.4 GM Master Lens (E-Mount, Full-Frame)
Sony FE 50mm f/1.4 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 50mm f/1.4 GM is a standard full-frame prime delivering exceptional sharpness, creamy bokeh, and a bright f/1.4 aperture for a classic, true-to-life perspective. Part of MediaVision's Sony G Master set, it is a workhorse lens for interviews, narrative, and low-light work on the Sony FX6 and Alpha series.
Sony FE 70-200mm f/2.8 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 70-200mm f/2.8 GM is a full-frame telephoto zoom delivering constant f/2.8 aperture, superb sharpness, and beautiful compression for portraits, wildlife, and event coverage. Part of MediaVision's Sony G Master set, it complements the 24-70mm f/2.8 GM for full focal coverage on the Sony FX6 and Alpha bodies.
Sony FE 85mm f/1.4 GM Master Lens (E-Mount, Full-Frame)
Sony FX5 Mauritius MediaVision
ARRI ALEXA 35 Xtreme Camera (Ready-to-Shoot Package)
A-Box (Alexa Mini)
ARRI Alexa Mini Camera
ALEXA Mini LF MVF-2
ALEXA LF Mini introduces the 3rd version of an electronic viewfinder and the 2nd version of the multi viewfinder. With MVF-2, many features have been improved upon based on our experience with the previous models.
The general functionality and layout are similar to MVF-1. MVF-2 has a new 4” rotatable flip-out IPS/LCD display for menu control or live image and a regular viewfinder eyepiece. The new flip-out display introduces a new user interface design that is reminiscent of older models in terms of functionality but offers more flexibility with the display. New cables allow a length of up to 10 m/33 ft, enabling MVF-2 for camera remote control.
The actual viewfinder itself is inherited from EVF-2. We are using the same HDR capable high-definition OLED panel and ARRICAM eyepiece optics for a clearer image and a greater eye range of movement.
ARRI ALEXA Mini LF Camera
ARRI / ZEISS 100mm Master Prime Lens T1.3 (PL, Feet)
ARRI Alexa SXT W Camera
Nikon ZR 6K Full-Frame Cinema Camera
The Nikon ZR is the first camera in the Z CINEMA line, developed with RED. A 24.5MP full-frame sensor recording 12-bit REDCODE RAW internally at 6K/59.94p and 4K/120p, with 15+ stops of dynamic range, R3D NE colour science and the world’s first 32-bit float audio recording. Available for rental in Mauritius.
ARRI / ZEISS 25mm Master Prime Lens T1.3 (PL, Feet)
RED KOMODO 6K Global Shutter Cinema Camera
ARRI / ZEISS 35mm Master Prime Lens T1.3 (PL, Feet)
SONY BURANO 8K Digital Motion Picture Camera (E & PL)
- Compact, Highly Mobile Design
- Full-Frame CMOS 8.6K Sensor
- 16 Stops Dynamic Range, Improved IRCF
- In-Body Image Stabilization|E & PL Mount
- Dual-Base 800/3200 ISO Range
- Electronically Variable 0.6-21 ND Filter
- Phase Detection AF | Face/Eye Tracking
- Full Frame & Super 35 Sensor Modes
- Supports Multiple Frame Rates & Codecs
- Dual CFexpress Type B Card Slots
ARRI / ZEISS 50mm Master Prime Lens T1.3 (PL, Feet)
Sony Cinema Line FX6, Full Frame 4K Cinema Camera
The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
ARRI / ZEISS 75mm Master Prime Lens T1.3 (PL, Feet)
Sony FX3 Full-Frame Cinema Camera
The Sony FX3 is a full-frame Cinema Line camera in a body small enough for gimbal, drone and handheld work. 10.2MP back-illuminated sensor, 15+ stops, 4K up to 120p and 1080p to 240p, S-Cinetone and S-Log3, active cooling and a detachable XLR handle. Available for rental in Mauritius and across the Indian Ocean.
ARRI / ZEISS Master Prime Lenses (16mm, 25mm, 35mm, 50mm, 75mm, 100mm) T1.3 PL
The ARRI / ZEISS Master Prime Lenses are the industry leaders in Cinema Primes. In short, this is because the lenses are both fast and have optical performance surpassing most prime lenses. The Master Primes allow for never-before possible shots allowing for new creative possibilities.
A wide stop of T1.3 allows shooting in low or available light. In addition, this enables more natural-looking shots, creating a cinematic shallow depth of field. Also, the built-in Lens Data System (LDS) shows real-time lens status and depth of field information. This data is viewed on a video assist or dedicated Lens Data Display.
ARRI 3600x CFast 2.0 Memory Card – 256GB
ARRI ALEXA FSND Filter Set
The ALEXA FSND Filter Set (Full) from ARRI provides a complete set of behind-the-lens neutral density filters organized neatly in a carrying case. This set includes an IFM optical clear filter, and 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1 and 2.4 FSND Filters. Also included are an IFM (internal filter module) shim, a DG-1 IFM/extenders depth gauge, and a filter insertion tool.
ARRI ALEXA Mini Viewfinder MVF-1
ARRI AMC-1 Active cforce Motor Controller with LBUS Interface
The ARRI AMC-1 Motor Controller remotely control focus, iris, and zoom via an LBUS interface. The AMC-1 Controller can link up to three daisy-chained cforce motors, and is compatible with WCU-4, SXU-1, Master Grip, and cmotion units. Compatible cameras include the ARRI ALEXA, AMIRA, and a wide variety of third-party cameras. The AMC-1 mini motor-controller features a compact design, suiting it for handheld, gimbal, drone, and other lightweight camera configurations.
ARRI Center Camera Handle CCH-2
ARRI cforce mini Motor Basic Set
The ARRI cforce mini Motor Basic Set comprises a compact lens-control motor and accessories designed for lightweight camera configurations. Suited for gimbal, stabilizer, handheld, and drone setups, the cforce mini works directly with the ALEXA Mini camera (with PL LBUS lens mount). It may also be used with any other ARRI and third-party cameras when paired with the ARRI AMC-1 Active Motor Controller. Twin LBUS connectors enable up to three motors to be daisy-chained, providing a complete F/I/Z (focus/iris/zoom) solution.
ARRI CLM-3 Motor Basic Kit
The components in this ARRI CLM-3 Motor Basic Kit are used with an ARRI motor controller (available separately) to remotely control your lens's focus, iris, or zoom function. The robust CLM-3 motor features strong yet fast control, working well even with heavy lenses in low temperatures. This CLM-3 Motor Basic Kit can be used with ARRI's UMC-4 Universal Motor Controller or SMC-1 Single Motor Controller.
The included drive gear works with select cine-style lenses, and can be attached to either side of the CLM-3 Motor. This kit includes a motor-to-controller cable, and a bracket with insert for mounting to a standard 19mm or 15mm rod.
ARRI CLM-5 Motor Basic Set
The components in this ARRI CLM-5 Motor Basic Kit are used with an ARRI motor controller (available separately) to remotely control your lens's focus, iris, or zoom function. The lightweight, compact CLM-5 motor features smooth, responsive control for smaller lenses. This CLM-5 Motor Basic Kit can be used with ARRI's UMC-4 Universal Motor Controller or SMC-1 Single Motor Controller.
The included drive gear works with select cine-style lenses, and can be attached to either side of the CLM-5 Motor. This kit includes a motor-to-controller cable, and a bracket with insert for mounting to a standard 19mm or 15mm rod.
ARRI Codex SXR Capture Drive (1TB) – K2.0006942
ARRI Compact Bridge Plate CBP-1 19mm
The CBP-1 is a baseplate compatible with the ALEXA Mini/ Mini LF. The CBP-1 offers the advantage of a sliding studio bridge plate without the added weight. The quick-release system allows the camera to be attached directly to the balance plate without having to slide the assembly out. For 15mm Studio, see CBP-2.
ARRI Diopter Stage 138mm
The diopter stage can be used at the back of a 4 inch x 5.65 inch clip-on a matte box, or independently with a rear-mounted clamp adapter. Diopters up to +3 can be fitted, and the position of split diopters can be adjusted with an integrated friction wheel. As with the diopter frame, a safety device and ¼” mounting threads are included. Compatible with LMB 4x5, LMB-25, LMB-15 and LMB-5.
ARRI Edition AV PRO AR 256 CFast 2.0 card
ARRI EL-3 Eyepiece Leveler
The ARRI EL-3 Eyepiece Leveler is just for the levelling rod only. It mounts via a 1/4"-20 threaded mounting screw onto a bracket (not included) on your geared or fluid head. The rod has three sections and allows you to adjust the height of the long eyepiece when mounted on your camera. This enables the eyepiece to remain still while you tilt the camera up or down, giving you a stable viewing position instead of having to move your head with the camera.
ARRI FF-5 Follow Focus Cine Set Pro
The ARRI FF-5 Cine Set Pro is a complete follow focus kit including a cine follow focus base, left- and right-sided standard focus knobs, two lens gears, one speed crank, one short whip, and 10 marking disks. Use the FF-5 Cine's integrated snap-on bridge mechanism to mount the follow focus to ARRI lightweight support rods. A bridgeplate adapter is required to use the FF-5 Cine with 15 or 19mm studio rod systems (not included). Having a gear ratio of 2:1, the FF-5 Cine is designed for cine-style lenses, with one turn of the focus knob resulting in two turns of the focus gear. This gear ratio suits the generously-spaced focus marks found on most cine lenses.
ARRI LCUBE CUB-1
Miniature converter box converting the LBUS protocol to serial protocols and vice versa. Adapts Ultrasonic Distance Measure UDM-1 to ALEXA Mini and ALEXA Mini LF camera (for UDM-1 readout on WCU-4 handset). Provides two LBUS connectors (4 pin) and one SERIAL connector (7 pin). The LCUBE has an integrated dovetail for mounting the LCUBE Bracket (K2.0009620) or the CLM-5/cforce mini Clamp Console 19/15 mm (K2.0006176).
ARRI LMB 4X5 Pro Set
The LMB 4x5 set to fulfill all needs with the most modular matte box – from single stage, to three stage, to bottom and top lightweight mounted, to the full-blown version with swing-away tilt module, all carbon fiber flags (top and side) and both extra filter stages (rotatable and non-rotatable). The weight of the whole Set is 2272g. The LMB 4x5 Pro Set comes in a foam insert that fits perfectly into any kind of Peli Case 1560.
ARRI LMB-25 Three-Stage Matte Box Set
This LMB-25 Three-Stage Matte Box Set from ARRI is a basic kit including the LMB-25 lightweight matte box, one three-filter stage, three 4 x 5.65" / 4 x 4" combo filter trays, and one top/bottom flag. A required lens clamp adapter is not included in this set. Lens clamp adapters are available separately in diameters up to 143mm.
ARRI LMB-6 Matte Box Pro Set
This LMB-6 Matte Box Pro Set from ARRI is a complete 6.6 x 6.6" lightweight matte box kit including the LMB-6 matte box, one 3-filter stage, one 2-filter stage, three 6.6 x 6.6" filter trays, one top/bottom flag, a set of five mattes, and a set of nine lens clamp adapters. A 3/8"-16 accessory shoe and a pair of flag holders round out the set.
ARRI LPL Mount for ALEXA Mini
The LPL mounts mechanical function is based on the proven design of the ARRI 54 mm PL mount. In many productions, this mount was found to be robust and reliable while guaranteeing a precise flange focal distance. This was one of the main reasons that lead to the wide and universal adaption of the PL mount.
LPL mounts are equipped with blue locking levers, so they can easily be distinguished from the black locking levers of the PL-to-LPL adapter.
ARRI MAP-2 Adapter Plate for ALEXA Mini (15mm)
The MAP-2 Adapter Plate for ALEXA Mini from ARRI supports a pair of 15mm LWS rods, and mounts to the bottom or top of the camera. Use this adapter to flesh out your ALEXA Mini rig with rod-mounted accessories. The MAP-2 adapter plate is compatible with studio bridgeplates when used with the separately available BPA-4 adapter. Tape measure studs on both sides of the plate aid in measuring precise focus distances.
ARRI Mini Viewfinder Bracket MVB-1
ARRI PL to LPL Mount Adapter
The ARRI PL-to-LPL Lens Adapter enables you to attach a PL-mount lens to the ARRI ALEXA LF camera. Compatible with any PL-mount lens, Super 35 or full-frame, this adapter can be securely fastened to your lens without the use of tools. Provides backwards compatibility for any PL-mount lens and LPL-mount camera.
