Showing all 33 results

ARRI / ZEISS 16mm Master Prime Lens T1.3 (PL, Feet)

The 16mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field.

DZOFILM Vespid Prime 100mm T2.1 PL Full-Frame Cine Lens

DZOFILM Vespid Prime full-frame cine lenses cover Vista Vision / full-frame sensors (Ø46.5 mm image circle) with a fast T2.1 aperture across the set (16mm and 90mm Macro: T2.8). A lightweight, colour-matched set with uniform Ø80 mm front diameter and 0.8 mod gear positions. PL mount.

DZOFILM Vespid Prime 125mm T2.1 PL Full-Frame Cine Lens

DZOFILM Vespid Prime full-frame cine lenses cover Vista Vision / full-frame sensors (Ø46.5 mm image circle) with a fast T2.1 aperture across the set (16mm and 90mm Macro: T2.8). A lightweight, colour-matched set with uniform Ø80 mm front diameter and 0.8 mod gear positions. PL mount.

DZOFILM Vespid Prime 16mm T2.8 PL Full-Frame Cine Lens

DZOFILM Vespid Prime full-frame cine lenses cover Vista Vision / full-frame sensors (Ø46.5 mm image circle) with a fast T2.1 aperture across the set (16mm and 90mm Macro: T2.8). A lightweight, colour-matched set with uniform Ø80 mm front diameter and 0.8 mod gear positions. PL mount.

DZOFILM Vespid Prime 25mm T2.1 PL Full-Frame Cine Lens

DZOFILM Vespid Prime full-frame cine lenses cover Vista Vision / full-frame sensors (Ø46.5 mm image circle) with a fast T2.1 aperture across the set (16mm and 90mm Macro: T2.8). A lightweight, colour-matched set with uniform Ø80 mm front diameter and 0.8 mod gear positions. PL mount.

DZOFILM Vespid Prime 35mm T2.1 PL Full-Frame Cine Lens

DZOFILM Vespid Prime full-frame cine lenses cover Vista Vision / full-frame sensors (Ø46.5 mm image circle) with a fast T2.1 aperture across the set (16mm and 90mm Macro: T2.8). A lightweight, colour-matched set with uniform Ø80 mm front diameter and 0.8 mod gear positions. PL mount.

DZOFILM Vespid Prime 50mm T2.1 PL Full-Frame Cine Lens

DZOFILM Vespid Prime full-frame cine lenses cover Vista Vision / full-frame sensors (Ø46.5 mm image circle) with a fast T2.1 aperture across the set (16mm and 90mm Macro: T2.8). A lightweight, colour-matched set with uniform Ø80 mm front diameter and 0.8 mod gear positions. PL mount.

DZOFILM Vespid Prime 75mm T2.1 PL Full-Frame Cine Lens

DZOFILM Vespid Prime full-frame cine lenses cover Vista Vision / full-frame sensors (Ø46.5 mm image circle) with a fast T2.1 aperture across the set (16mm and 90mm Macro: T2.8). A lightweight, colour-matched set with uniform Ø80 mm front diameter and 0.8 mod gear positions. PL mount.

DZOFILM Vespid Prime 90mm T2.8 Macro PL Full-Frame Cine Lens

DZOFILM Vespid Prime full-frame cine lenses cover Vista Vision / full-frame sensors (Ø46.5 mm image circle) with a fast T2.1 aperture across the set (16mm and 90mm Macro: T2.8). A lightweight, colour-matched set with uniform Ø80 mm front diameter and 0.8 mod gear positions. PL mount.

Sony FE 14mm f/1.8 GM Master Lens (E-Mount, Full-Frame)

The Sony FE 14mm f/1.8 GM is an ultra-wide full-frame prime delivering edge-to-edge sharpness, minimal distortion, and a bright f/1.8 aperture for low-light and astro work. Part of MediaVision's Sony G Master set, it pairs natively with the Sony FX6 and Alpha bodies for expansive landscapes, interiors, and dramatic wide perspectives.

Sony FE 24-70mm f/2.8 GM Master Lens (E-Mount, Full-Frame)

The Sony FE 24-70mm f/2.8 GM is a full-frame standard zoom offering constant f/2.8 aperture, G Master resolution, and fast, silent autofocus across its wide-to-short-telephoto range. Part of MediaVision's Sony G Master set, it is the versatile all-rounder for run-and-gun documentary and commercial work on the Sony FX6 and Alpha series.

Sony FE 24mm f/1.4 GM Master Lens (E-Mount, Full-Frame)

The Sony FE 24mm f/1.4 GM is a compact, fast full-frame wide prime offering outstanding resolution, smooth bokeh, and a bright f/1.4 aperture for shallow depth of field. Part of MediaVision's Sony G Master set, it is ideal for landscapes, reportage, and low-light cinematography on the Sony FX6 and Alpha series.

Sony FE 35mm f/1.4 GM Master Lens (E-Mount, Full-Frame)

The Sony FE 35mm f/1.4 GM is a wide-normal full-frame prime combining high resolution, beautiful rendering, and a fast f/1.4 aperture for a natural field of view. Part of MediaVision's Sony G Master set, it is a versatile documentary and narrative lens for the Sony FX6 and Alpha bodies.

Sony FE 50mm f/1.4 GM Master Lens (E-Mount, Full-Frame)

The Sony FE 50mm f/1.4 GM is a standard full-frame prime delivering exceptional sharpness, creamy bokeh, and a bright f/1.4 aperture for a classic, true-to-life perspective. Part of MediaVision's Sony G Master set, it is a workhorse lens for interviews, narrative, and low-light work on the Sony FX6 and Alpha series.

Sony FE 70-200mm f/2.8 GM Master Lens (E-Mount, Full-Frame)

The Sony FE 70-200mm f/2.8 GM is a full-frame telephoto zoom delivering constant f/2.8 aperture, superb sharpness, and beautiful compression for portraits, wildlife, and event coverage. Part of MediaVision's Sony G Master set, it complements the 24-70mm f/2.8 GM for full focal coverage on the Sony FX6 and Alpha bodies.

Sony FE 85mm f/1.4 GM Master Lens (E-Mount, Full-Frame)

The Sony FE 85mm f/1.4 GM is a full-frame portrait prime renowned for its stunning subject separation, smooth bokeh, and a fast f/1.4 aperture. Part of MediaVision's Sony G Master set, it is the go-to lens for portraits, beauty, and close-up cinematography on the Sony FX6 and Alpha bodies.

Blackmagic Pocket Cinema Camera 4K with 3 prime lenses MFT 14mm, 25mm and 60mm

The Blackmagic Pocket Cinema Camera 4K features a 4/3 image sensor with 4096 x 2160 resolution and an MFT lens mount, allowing you to capture wide dynamic range, Hollywood quality, digital film images in the palm of your hand! It’s an extremely advanced and affordable high end digital film camera! Panasonic Lumix Lens 25mm, 14mm, and Sigma Cine Art 60mm Lens - MFT Mirrorless

ARRI / ZEISS Master Prime Lenses (16mm, 25mm, 35mm, 50mm, 75mm, 100mm) T1.3 PL

The ARRI / ZEISS Master Prime Lenses are the industry leaders in Cinema Primes. In short, this is because the lenses are both fast and have optical performance surpassing most prime lenses. The Master Primes allow for never-before possible shots allowing for new creative possibilities.

A wide stop of T1.3 allows shooting in low or available light. In addition, this enables more natural-looking shots, creating a cinematic shallow depth of field. Also, the built-in Lens Data System (LDS) shows real-time lens status and depth of field information. This data is viewed on a video assist or dedicated Lens Data Display.

ARRI / ZEISS 100mm Master Prime Lens T1.3 (PL, Feet)

The 100mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field.

ARRI / ZEISS 75mm Master Prime Lens T1.3 (PL, Feet)

The 75mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field.

ARRI / ZEISS 50mm Master Prime Lens T1.3 (PL, Feet)

The 50mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field.

ARRI / ZEISS 35mm Master Prime Lens T1.3 (PL, Feet)

The 35mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field.

ARRI / ZEISS 25mm Master Prime Lens T1.3 (PL, Feet)

The 25mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field.

Cooke miniS4/i T2.8 135mm Lens

With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution.

Cooke miniS4/i T2.8 75mm Lens

With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution.

Cooke miniS4/i T2.8 50mm Lens

With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution.

Cooke miniS4/i T2.8 32mm Lens

With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution.

Cooke miniS4/i T2.8 25mm Lens

With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution.

Cooke miniS4/i T2.8 18mm Lens

With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution.

Zenmuse X7 with Lens Set 16, 24, 35, 50 mm

Taking advantage of new FSI-Cu technology, the X7's sensor features thinner interconnection, allowing light to reach the sensing area via a larger incident angle for increased photo sensitivity. This enables a more compact lens mount to be used on this sensor while maintaining excellent image quality.The flange focal distance of the DL-Mount is less than 17 mm, roughly 1/3 of the size of a PL-Mount.