Film Slate – Elvid 9-Section Acrylic Production Slate with Color Clapper Sticks
₨0.00 Rs
A production slate made of white acrylic designed to be used with dry erase markers. It uses standard-size color clapper sticks to provide visual and audio sync points when using a separate device to record audio (dual-system sound).
A production slate made of white acrylic designed to be used with dry erase markers. It uses standard-size colour clapper sticks to provide visual and audio sync points when using a separate device to record audio (dual-system sound).
MediaVision lists this from Mauritius for customers across the Indian Ocean.
Key capabilities
- Production-support item as listed: Film Slate – Elvid 9-Section Acrylic Production Slate with Colour Clapper Sticks
- A production slate made of white acrylic designed to be used with dry erase markers
- It uses standard-size colour clapper sticks to provide visual and audio sync points when using a separate device to record audio (dual-system sound)
- Typical use: production support, unit or location kit as listed
- Held as the listed item for rental; exact kit on quote
Technical specifications
| Category | Sales > Accessories |
|---|
What’s included
The listed item as supplied by MediaVision. Specification and quantity are confirmed on the quote; do not assume extra accessories.
Rental & crew
Stocked by MediaVision in Mauritius and available for productions across the Indian Ocean. Technical film crew can be arranged on request. Share your dates and package and we will return availability and a quote.
Related products
ARRI Media Film Focus Chart
Challenge Duplicate A4 Book
Bluestar Microfibre Red Small Round Eye Cushion
Black Nylon Releasable 150 mm Cable Ties Pack
Fluorescent Green Gaffer Tape 1″ Roll
Avenger F810 Baby Plate with 5/8″ Swivel Spigot
Making Movies by Sidney Lumet
From one of America's most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.
