Film Lighting Talks with Hollywood’s Cinematographers and Gaffers by Kris Malkiewicz
₨0.00 Rs
Film Lighting is an indispensable sourcebook for the aspiring and practicing cinematographer, based on extensive interviews with leading cinematographers and gaffers in the film industry Film lighting is a living, dynamic art influenced by new technologies and the individual styles of leading cinematographers. Reporting on the latest innovations and showcasing in-depth interviews with industry experts, Film Lighting provides an inside look at how cinematographers and film directors establish the visual concept of the film and use the lighting to help tell the story. This edition provides an invaluable opportunity to learn from the industry’s leaders.
Film Lighting is an indispensable sourcebook for the aspiring and practicing cinematographer, based on extensive interviews with leading cinematographers and gaffers in the film industry Film lighting is a living, dynamic art influenced by new technologies and the individual styles of leading cinematographers.
MediaVision stocks this consumable in Mauritius for crews working across the Indian Ocean.
Key capabilities
- Filmmaking book as listed: Film Lighting Talks with Hollywood’s Cinematographers and Gaffers by Kris Malkiewicz
- This edition provides an invaluable opportunity to learn from the industry’s leaders
- Reference copy for directors, camera, lighting or grip departments on set and in prep
- Sold or issued as the listed expendable; quantity on quote
Technical specifications
| Category | Consumables > Books |
|---|
Rental
The listed book, as stocked by MediaVision. Edition and condition are confirmed on the quote; no extra titles or materials are assumed.
Rental & crew
Stocked by MediaVision in Mauritius and available for productions across the Indian Ocean. Crew can be arranged on request. Share your dates and quantities and we will return availability and a quote.
Related products
In the Blink of an Eye by Walter Murch
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
