Mr Sheen Polish 400ml
₨0.00 Rs
Mr Sheen with dust trap technology is proven to pick up x2 more dust than using a dry paper towel alone.
Mr Sheen with dust trap technology is proven to pick up x2 more dust than using a dry paper towel alone.
MediaVision stocks this consumable in Mauritius for crews working across the Indian Ocean.
Key capabilities
- Set consumable as listed: Mr Sheen Polish 400ml
- Supplied volume 400ml
- Mr Sheen with dust trap technology is proven to pick up x2 more dust than using a dry paper towel alone
- Typical use: day-to-day expendable for camera, lighting, grip or unit
- Sold or issued as the listed expendable; quantity on quote
Technical specifications
| Category | Consumables |
|---|---|
| Volume | 400ml |
Rental
Typically the listed item as supplied by MediaVision. Quantity is confirmed on the quote; do not assume extra rolls, bottles or accessories.
Rental & crew
Stocked by MediaVision in Mauritius and available for productions across the Indian Ocean. Crew can be arranged on request. Share your dates and quantities and we will return availability and a quote.
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Kazan on Directing by Elia Kazan
Elia Kazan was the mid-twentieth century’s most celebrated director of both stage and screen, and this book shows us the master at work.
Kazan directed virtually back to back the greatest American dramas of the era—by Arthur Miller and Tennessee Williams—and revolutionized theatre and film with dynamic action, poetic staging, and rigorous naturalism. His list of Broadway and Hollywood successes—A Streetcar Named Desire (stage and screen), All My Sons, Death of a Salesman, Cat on a Hot Tin Roof, On the Waterfront, East of Eden, Baby Doll, America America, to name only a few—is a testament to his profound impact on the art of directing. Kazan’s insights into these and other classic stage works shaped their subsequent productions—and continue to do so. There is no directorial achievement in America equal to his.
This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered for himself the “spine” or core of each script and each character; how he analyzed each piece in terms of his own experience; how he determined the specifics of his production, from casting and costuming to set design and cinematography. And we see how he worked with writers on scripts and with actors on interpretation.
The final section, “The Pleasures of Directing”—essays Kazan was writing in his last decade—is informal, provocative, candid, and passionate; a wise old pro sharing the secrets of his craft, advising us how to search for ourselves in each project, how to fight the system, and how to have fun doing it.
Published in Kazan’s centenary year, this monumental, revelatory book, edited by Robert Cornfield, is essential reading for everyone interested in American movies and theatre.
