Pro Gaff – Gaffer Tape 1 inch, 55yd – Color
₨0.00 Rs
Pro Gaff is a matte cloth tape with a rubber based adhesive system. Adhesive removes cleanly from most surfaces. Tape resists abrasion and can be torn by hand. Can be used outdoors and withstands temperatures from 50 to 200 degrees F. Measures 1″ wide and 55 yd. long.
| Brand | Pro-Gaff |
|---|---|
| Color | Beige, Black, Brown |
Pro Gaff is a matte cloth tape with a rubber based adhesive system. Adhesive removes cleanly from most surfaces.
MediaVision issues this from the Mauritius warehouse for Indian Ocean shoots.
Key capabilities
- Pro Gaff tape as listed
- Colour: Beige, Black, Brown
- Pro Gaff is a matte cloth tape with a rubber based adhesive system
- Adhesive removes cleanly from most surfaces
- Tape resists abrasion and can be torn by hand
- Can be used outdoors and withstands temperatures from 50 to 200 degrees F
- Typical use: marking, securing and finishing on camera, lighting and grip
Technical specifications
| Brand | Pro Gaff |
|---|---|
| Category | Consumables |
| Color | Beige, Black, Brown |
Rental
Typically the listed item as supplied by MediaVision. Quantity is confirmed on the quote; do not assume extra rolls, bottles or accessories.
Rental & crew
Stocked by MediaVision in Mauritius and available for productions across the Indian Ocean. Crew can be arranged on request. Share your dates and quantities and we will return availability and a quote.
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In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
