Sony FE 14mm f/1.8 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 14mm f/1.8 GM is an ultra-wide full-frame prime delivering edge-to-edge sharpness, minimal distortion, and a bright f/1.8 aperture for low-light and astro work. Part of MediaVision's Sony G Master set, it pairs natively with the Sony FX6 and Alpha bodies for expansive landscapes, interiors, and dramatic wide perspectives.
Sony FE 24-70mm f/2.8 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 24-70mm f/2.8 GM is a full-frame standard zoom offering constant f/2.8 aperture, G Master resolution, and fast, silent autofocus across its wide-to-short-telephoto range. Part of MediaVision's Sony G Master set, it is the versatile all-rounder for run-and-gun documentary and commercial work on the Sony FX6 and Alpha series.
Sony FE 24mm f/1.4 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 24mm f/1.4 GM is a compact, fast full-frame wide prime offering outstanding resolution, smooth bokeh, and a bright f/1.4 aperture for shallow depth of field. Part of MediaVision's Sony G Master set, it is ideal for landscapes, reportage, and low-light cinematography on the Sony FX6 and Alpha series.
Sony FE 35mm f/1.4 GM Master Lens (E-Mount, Full-Frame)
Sony FE 50mm f/1.4 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 50mm f/1.4 GM is a standard full-frame prime delivering exceptional sharpness, creamy bokeh, and a bright f/1.4 aperture for a classic, true-to-life perspective. Part of MediaVision's Sony G Master set, it is a workhorse lens for interviews, narrative, and low-light work on the Sony FX6 and Alpha series.
Sony FE 70-200mm f/2.8 GM Master Lens (E-Mount, Full-Frame)
The Sony FE 70-200mm f/2.8 GM is a full-frame telephoto zoom delivering constant f/2.8 aperture, superb sharpness, and beautiful compression for portraits, wildlife, and event coverage. Part of MediaVision's Sony G Master set, it complements the 24-70mm f/2.8 GM for full focal coverage on the Sony FX6 and Alpha bodies.
Sony FE 85mm f/1.4 GM Master Lens (E-Mount, Full-Frame)
ARRI / ZEISS 100mm Master Prime Lens T1.3 (PL, Feet)
ARRI / ZEISS 25mm Master Prime Lens T1.3 (PL, Feet)
ARRI / ZEISS 35mm Master Prime Lens T1.3 (PL, Feet)
ARRI / ZEISS 50mm Master Prime Lens T1.3 (PL, Feet)
ARRI / ZEISS 75mm Master Prime Lens T1.3 (PL, Feet)
ARRI / ZEISS Master Prime Lenses (16mm, 25mm, 35mm, 50mm, 75mm, 100mm) T1.3 PL
The ARRI / ZEISS Master Prime Lenses are the industry leaders in Cinema Primes. In short, this is because the lenses are both fast and have optical performance surpassing most prime lenses. The Master Primes allow for never-before possible shots allowing for new creative possibilities.
A wide stop of T1.3 allows shooting in low or available light. In addition, this enables more natural-looking shots, creating a cinematic shallow depth of field. Also, the built-in Lens Data System (LDS) shows real-time lens status and depth of field information. This data is viewed on a video assist or dedicated Lens Data Display.
ARRI Signature Prime 125MM T1.8 LPL Prime Lens FT
ARRI Signature Prime 29MM T1.8 LPL Prime Lens FT
ARRI Signature Prime 35MM T1.8 LPL Prime Lens FT
ARRI Signature Prime 47MM T1.8 LPL Prime Lens FT
ARRI Signature Prime 6-Lens Core Set 18MM, 29MM, 35MM, 47MM, 75MM, 125MM (LPL)
Six ARRI Signature Prime (FT, LPL) lenses in popular focal lengths. These large-format primes feature a fast T1.8 maximum aperture, a compact, lightweight design, and compatibility with ARRI's LDS-2 lens data system. The focal lengths in this kit include 18mm, 29mm, 35mm, 47mm, 75mm, and 125mm. Available with a 6-Hole Signature Prime Innerspace Lens Case.
ARRI Signature Prime 75MM T1.8 LPL Prime Lens FT
Cooke miniS4/i T2.8 135mm Lens
Cooke miniS4/i T2.8 18mm Lens
Cooke miniS4/i T2.8 25mm Lens
Cooke miniS4/i T2.8 32mm Lens
Cooke miniS4/i T2.8 50mm Lens
Cooke miniS4/i T2.8 75mm Lens
DZOFILM Vespid Prime 100mm T2.1 PL Full-Frame Cine Lens
DZOFILM Vespid Prime 125mm T2.1 PL Full-Frame Cine Lens
DZOFILM Vespid Prime 16mm T2.8 PL Full-Frame Cine Lens
DZOFILM Vespid Prime 25mm T2.1 PL Full-Frame Cine Lens
DZOFILM Vespid Prime 35mm T2.1 PL Full-Frame Cine Lens
DZOFILM Vespid Prime 50mm T2.1 PL Full-Frame Cine Lens
DZOFILM Vespid Prime 75mm T2.1 PL Full-Frame Cine Lens
DZOFILM Vespid Prime 90mm T2.8 Macro PL Full-Frame Cine Lens
Sigma Cine Art 60mm Lens
Panasonic Lumix Lens 25mm
Panasonic Lumix Lens G 14mm
Zenmuse X7 with Lens Set 16, 24, 35, 50 mm
Taking advantage of new FSI-Cu technology, the X7's sensor features thinner interconnection, allowing light to reach the sensing area via a larger incident angle for increased photo sensitivity. This enables a more compact lens mount to be used on this sensor while maintaining excellent image quality.The flange focal distance of the DL-Mount is less than 17 mm, roughly 1/3 of the size of a PL-Mount.
Venus Optics Laowa 9mm f/2.8 Zero-D Lens – DL Mount
The Laowa 9mm f/2.8 is not a new lens, but now it’s available in the native DL mount that is found on DJI’s X7 cameras. The lens has exactly the same specifications and optical performance as the existing Fuji X, Sony E and Canon EF-M mount versions that were launched in 2018. The lens feature an ultra-wide 113° angle, cover Super35-sized sensor and has close-to-zero distortion.
