Cinematography: Theory and Practice, Second Edition: Image Making for Cinematographers and Directors by Blain Brown
₨0.00 Rs
The world of cinematography has changed more in the last few years than it has since it has in 1929, when sound recording was introduced. New technology, new tools and new methods have revolutionized the art and craft of telling stories visually. While some aspects of visual language, lighting and color are eternal, shooting methods, workflow and cameras have changed radically. Even experienced film artists have a need to update and review new methods and equipment. These change affect not only the director of photography but also the director, the camera assistants, gaffers, and digital imaging technicians.
Cinematography: Theory and Practice covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown.
Whether you are a student of filmmaking, just breaking into the business, currently working in the industry and looking to move up to the next level, or an experienced professional who wants to update their knowledge of tools and techniques, this book provides both a basic introduction to these issues as well as more advanced and in-depth coverage of the subject.
The companion website features additional material, including lighting demonstrations, basic methods of lighting, using diffusion and other topics.
Topics Include:
- Visual language
- Visual storytelling
- Continuity and coverage
- Cameras and digital sensors
- Exposure techniques for film and video
- Color in-depth
- Understanding digital images
- Waveform monitors, vectorscopes, and test charts
- Using linear, gamma, and log encoded video
- Image control and grading on the set
- The tools and basics of film lighting
- ASC-CDL, ACES and other new methods
- Optics and focus
- Camera movement
- Set operations
- Green screen, high speed and other topics
The world of cinematography has changed more in the last few years than it has since it has in 1929, when sound recording was introduced. New technology, new tools and new methods have revolutionized the art and craft of telling stories visually.
Media Vision stocks this consumable in Mauritius for crews working across the Indian Ocean.
Key capabilities
- Filmmaking book as listed: Cinematography: Theory and Practice
- The world of cinematography has changed more in the last few years than it has since it has in 1929, when sound recording was introduced
- New technology, new tools and new methods have revolutionized the art and craft of telling stories visually
- While some aspects of visual language, lighting and colour are eternal, shooting methods, workflow and cameras have changed radically
- Even experienced film artists have a need to update and review new methods and equipment
- Reference copy for directors, camera, lighting or grip departments on set and in prep
- Sold or issued as the listed expendable; quantity on quote
Technical specifications
| Category | Consumables > Books |
|---|
Rental
The listed book, as stocked by Media Vision. Edition and condition are confirmed on the quote; no extra titles or materials are assumed.
Rental & crew
Stocked by Media Vision in Mauritius and available for productions across the Indian Ocean. Crew can be arranged on request. Share your dates and quantities and we will return availability and a quote.
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In the Blink of an Eye by Walter Murch
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
