Gorilla Tape Crystal Clear
₨0.00 Rs
Crystal Clear Gorilla Tape features the adhesive strength of Gorilla Tape†, in a crystal clear tape that does not yellow outdoors. Made with a heavy duty adhesive layer and waterproof backing for extreme durability. This tape is UV and temperature resistant – great for projects and repairs both indoors and out. Crystal Clear Gorilla Tape can be applied to wet surfaces and also works under water.
Crystal Clear Gorilla Tape features the adhesive strength of Gorilla Tape†, in a crystal clear tape that does not yellow outdoors. Made with a heavy duty adhesive layer and waterproof backing for extreme durability.
MediaVision stocks this consumable in Mauritius for crews working across the Indian Ocean.
Key capabilities
- Gorilla tape as listed
- Crystal Clear Gorilla Tape features the adhesive strength of Gorilla Tape†, in a crystal clear tape that does not yellow outdoors
- Made with a heavy duty adhesive layer and waterproof backing for extreme durability
- This tape is UV and temperature resistant – great for projects and repairs both indoors and out
- Crystal Clear Gorilla Tape can be applied to wet surfaces and also works under water
- Typical use: marking, securing and finishing on camera, lighting and grip
- Sold or issued as the listed expendable; quantity on quote
Technical specifications
| Brand | Gorilla |
|---|---|
| Category | Consumables |
Rental
Typically the listed item as supplied by MediaVision. Quantity is confirmed on the quote; do not assume extra rolls, bottles or accessories.
Rental & crew
Stocked by MediaVision in Mauritius and available for productions across the Indian Ocean. Crew can be arranged on request. Share your dates and quantities and we will return availability and a quote.
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In the Blink of an Eye by Walter Murch
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
