Digital Juice Pro Flag Kit (24 x 36″)
₨0.00 Rs
The kit comes with five 3-sided collapsible 24 x 36″ frames that expand and lock into place in seconds. 5 fabrics are included: black single net scrim, black double-net scrim, solid black block, one stop silk and 2 stop white silk. Each cuts the output of a light by a different percentage and offers a different look or function. A 6.0″ solid black dot and a single net black dot are included, as well as a 4.0 x 14″ solid black finger and a single net finger to shape the light when working with smaller subjects.
The Digital Juice Pro Flag Kit (24 x 36″) is a set consumable for film and stills production. Size as listed: 24 x 36″.
Media Vision stocks this consumable in Mauritius for crews working across the Indian Ocean.
Key capabilities
- Digital Juice set consumable as listed
- Size 24 x 36″
- Each cuts the output of a light by a different percentage and offers a different look or function
- Typical use: day-to-day expendable for camera, lighting, grip or unit
- Sold or issued as the listed expendable; quantity on quote
Technical specifications
| Brand | Digital Juice |
|---|---|
| Category | Consumables |
| Size | 24 x 36″ |
Rental
Typically the listed item as supplied by Media Vision. Quantity is confirmed on the quote; do not assume extra rolls, bottles or accessories.
Rental & crew
Stocked by Media Vision in Mauritius and available for productions across the Indian Ocean. Crew can be arranged on request. Share your dates and quantities and we will return availability and a quote.
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From one of America's most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.
Kazan on Directing by Elia Kazan
Elia Kazan was the mid-twentieth century’s most celebrated director of both stage and screen, and this book shows us the master at work.
Kazan directed virtually back to back the greatest American dramas of the era—by Arthur Miller and Tennessee Williams—and revolutionized theatre and film with dynamic action, poetic staging, and rigorous naturalism. His list of Broadway and Hollywood successes—A Streetcar Named Desire (stage and screen), All My Sons, Death of a Salesman, Cat on a Hot Tin Roof, On the Waterfront, East of Eden, Baby Doll, America America, to name only a few—is a testament to his profound impact on the art of directing. Kazan’s insights into these and other classic stage works shaped their subsequent productions—and continue to do so. There is no directorial achievement in America equal to his.
This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered for himself the “spine” or core of each script and each character; how he analyzed each piece in terms of his own experience; how he determined the specifics of his production, from casting and costuming to set design and cinematography. And we see how he worked with writers on scripts and with actors on interpretation.
The final section, “The Pleasures of Directing”—essays Kazan was writing in his last decade—is informal, provocative, candid, and passionate; a wise old pro sharing the secrets of his craft, advising us how to search for ourselves in each project, how to fight the system, and how to have fun doing it.
Published in Kazan’s centenary year, this monumental, revelatory book, edited by Robert Cornfield, is essential reading for everyone interested in American movies and theatre.
