Focal Press Book: The Grip Book: The Studio Grip’s Essential Guide (5th Edition)
Gain the essential skills of a professional grip to become the jack and master of all trades on a movie or television show set. Discover vital insider tips ranging from how to operate cutting-edge rigging and lighting equipment to performing difficult camera mounts on aircraft, boats, cars, and trains.
In The Grip Book, Fifth Edition, seasoned Hollywood grip Michael G. Uva teaches you to install, set up, maintain, and ensure the safety of all equipment on a set, such as C-stands, cameras, and any specialty gear needed for a shoot. Guidelines for on-set etiquette and how to succeed as a technical crew member will jumpstart your career and make you a valuable asset on any film or television crew. This newly enhanced edition marks the 25th anniversary of a Focal Press classic and has been updated to include:
- A 4-color insert covering greenscreen setup
- Technical expertise on maintaining the latest and greatest filmmaking equipment
- Engaging how-to videos on the companion website (www.focalpress.com/9780415842372) which demonstrate techniques described in the book
- A completely new test section with over one hundred questions and answers, allowing you to quiz yourself on the techniques and concepts you’ve just read
- Guidelines on what a grip has to be physically able to perform in their day-to-day duties
- A European-specific appendix that features a table of European grip terms and their American equivalents
Whether you are a professional grip looking to boost your skills or an aspiring one just beginning to learn the trade, the time-tested tips and techniques for smooth and safe operation on set make this new edition an indispensable reference guide.
Gain the essential skills of a professional grip to become the jack and master of all trades on a movie or television show set. Discover vital insider tips ranging from how to operate cutting-edge rigging and lighting equipment to performing difficult camera mounts on aircraft, boats, cars, and trains.
MediaVision issues this from the Mauritius warehouse for Indian Ocean shoots.
Key capabilities
- Focal Press filmmaking book as listed
- Gain the essential skills of a professional grip to become the jack and master of all trades on a movie or television show set
- In The Grip Book, Fifth Edition, seasoned Hollywood grip Michael G
- This newly enhanced edition marks the 25th anniversary of a Focal Press classic and has been updated to include
- A 4-colour insert covering greenscreen setup
- Reference copy for directors, camera, lighting or grip departments on set and in prep
- Sold or issued as the listed expendable; quantity on quote
Technical specifications
| Brand | Focal Press |
|---|---|
| Category | Consumables > Books |
Rental
The listed book, as stocked by MediaVision. Edition and condition are confirmed on the quote; no extra titles or materials are assumed.
Rental & crew
Stocked by MediaVision in Mauritius and available for productions across the Indian Ocean. Crew can be arranged on request. Share your dates and quantities and we will return availability and a quote.
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Kazan on Directing by Elia Kazan
Elia Kazan was the mid-twentieth century’s most celebrated director of both stage and screen, and this book shows us the master at work.
Kazan directed virtually back to back the greatest American dramas of the era—by Arthur Miller and Tennessee Williams—and revolutionized theatre and film with dynamic action, poetic staging, and rigorous naturalism. His list of Broadway and Hollywood successes—A Streetcar Named Desire (stage and screen), All My Sons, Death of a Salesman, Cat on a Hot Tin Roof, On the Waterfront, East of Eden, Baby Doll, America America, to name only a few—is a testament to his profound impact on the art of directing. Kazan’s insights into these and other classic stage works shaped their subsequent productions—and continue to do so. There is no directorial achievement in America equal to his.
This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered for himself the “spine” or core of each script and each character; how he analyzed each piece in terms of his own experience; how he determined the specifics of his production, from casting and costuming to set design and cinematography. And we see how he worked with writers on scripts and with actors on interpretation.
The final section, “The Pleasures of Directing”—essays Kazan was writing in his last decade—is informal, provocative, candid, and passionate; a wise old pro sharing the secrets of his craft, advising us how to search for ourselves in each project, how to fight the system, and how to have fun doing it.
Published in Kazan’s centenary year, this monumental, revelatory book, edited by Robert Cornfield, is essential reading for everyone interested in American movies and theatre.
In the Blink of an Eye by Walter Murch
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
