Matthews Baby Grid Clamp – Grips 1-1/2″ Maximum Diameter Pipe
₨0.00 Rs
The Matthews Baby Grid Clamp is made to clamp securely on overhead grids, car rigs, or camera car rails for the mounting of light fixtures. It can be inverted with the pin mounting onto a grip head for spanning pipe between two stands.
| Brand | Matthews |
|---|
The Matthews Baby Grid Clamp is made to clamp securely on overhead grids, car rigs, or camera car rails for the mounting of light fixtures. It can be inverted with the pin mounting onto a grip head for spanning pipe between two stands.
MediaVision issues this from the Mauritius warehouse for Indian Ocean shoots.
Key capabilities
- Matthews clamp as listed
- The Matthews Baby Grid Clamp is made to clamp securely on overhead grids, car rigs, or camera car rails for the mounting of light fixtures
- It can be inverted with the pin mounting onto a grip head for spanning pipe between two stands
- Typical use: day-to-day expendable for camera, lighting, grip or unit
- Sold or issued as the listed expendable; quantity on quote
Technical specifications
| Brand | Matthews |
|---|---|
| Category | Consumables |
Rental
Typically the listed item as supplied by MediaVision. Quantity is confirmed on the quote; do not assume extra rolls, bottles or accessories.
Rental & crew
Stocked by MediaVision in Mauritius and available for productions across the Indian Ocean. Crew can be arranged on request. Share your dates and quantities and we will return availability and a quote.
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In the Blink of an Eye by Walter Murch
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
