Sofnolime 797 CO2 Absorbent for Rebreathers (Non-Indicating)
₨0.00 Rs
Soda-lime CO2 absorbent (797 grade, non-indicating, 1.0–2.5 mm granule) for closed-circuit rebreathers – enables bubble-free, silent underwater filming. Supplied in 4.5 kg tubs (2 × 4.5 kg per case) or by the pallet, available on request.
| Brand | Molecular Products |
|---|
Soda-lime CO2 absorbent (797 grade, non-indicating, 1.0–2.5 mm granule) for closed-circuit rebreathers – enables bubble-free, silent underwater filming. Supplied in 4.5 kg tubs (2 × 4.5 kg per case) or by the pallet, available on request.
MediaVision rents this from Mauritius for marine productions across the Indian Ocean.
Key capabilities
- Sofnolime underwater production item as listed
- Rental SKU MV-SOFNOLIME-797
- Soda-lime CO2 absorbent (797 grade, non-indicating, 1.0–2.5 mm granule) for closed-circuit rebreathers – enables bubble-free, silent underwater filming
- Supplied in 4.5 kg tubs (2 × 4.5 kg per case) or by the pallet, available on request
- Typical use: marine and underwater cinematography
- Held as the listed item for rental; exact kit on quote
Technical specifications
| Brand | Sofnolime |
|---|---|
| Category | Underwater Equipment |
| SKU | MV-SOFNOLIME-797 |
What’s included
Typically the listed item as rented by MediaVision. Exact kit contents and quantities are confirmed on the quote; extra accessories are not assumed.
Rental & crew
Stocked by MediaVision in Mauritius and available for productions across the Indian Ocean. Technical film crew can be arranged on request. Share your dates and package and we will return availability and a quote.
Related products
In the Blink of an Eye by Walter Murch
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
