Sofnolime 797 CO2 Absorbent for Rebreathers (Non-Indicating)
₨0.00 Rs
Soda-lime CO2 absorbent (797 grade, non-indicating, 1.0–2.5 mm granule) for closed-circuit rebreathers – enables bubble-free, silent underwater filming. Supplied in 4.5 kg tubs (2 × 4.5 kg per case) or by the pallet, available on request.
| Brand | Molecular Products |
|---|
Soda-lime CO2 absorbent (797 grade, non-indicating, 1.0–2.5 mm granule) for closed-circuit rebreathers – enables bubble-free, silent underwater filming. Supplied in 4.5 kg tubs (2 × 4.5 kg per case) or by the pallet, available on request.
MediaVision rents this from Mauritius for marine productions across the Indian Ocean.
Key capabilities
- Sofnolime underwater production item as listed
- Rental SKU MV-SOFNOLIME-797
- Soda-lime CO2 absorbent (797 grade, non-indicating, 1.0–2.5 mm granule) for closed-circuit rebreathers – enables bubble-free, silent underwater filming
- Supplied in 4.5 kg tubs (2 × 4.5 kg per case) or by the pallet, available on request
- Typical use: marine and underwater cinematography
- Held as the listed item for rental; exact kit on quote
Technical specifications
| Brand | Sofnolime |
|---|---|
| Category | Underwater Equipment |
| SKU | MV-SOFNOLIME-797 |
What’s included
Typically the listed item as rented by MediaVision. Exact kit contents and quantities are confirmed on the quote; extra accessories are not assumed.
Rental & crew
Stocked by MediaVision in Mauritius and available for productions across the Indian Ocean. Technical film crew can be arranged on request. Share your dates and package and we will return availability and a quote.
Related products
Black Nylon Releasable 150 mm Cable Ties Pack
Jumbo No.108 454g Rubber Bands
Selvyts Lens Cloth Medium (10″/A)
Matthews ButterflyOverhead Fabric – 6×6′ – Silver Matthflector
Making Movies by Sidney Lumet
From one of America's most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.
In the Blink of an Eye by Walter Murch
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
Film Lighting Talks with Hollywood’s Cinematographers and Gaffers by Kris Malkiewicz
Film Lighting is an indispensable sourcebook for the aspiring and practicing cinematographer, based on extensive interviews with leading cinematographers and gaffers in the film industry Film lighting is a living, dynamic art influenced by new technologies and the individual styles of leading cinematographers. Reporting on the latest innovations and showcasing in-depth interviews with industry experts, Film Lighting provides an inside look at how cinematographers and film directors establish the visual concept of the film and use the lighting to help tell the story. This edition provides an invaluable opportunity to learn from the industry’s leaders.
Filmmaking for Dummies by Bryan Michael Stoller
Film is a powerful medium. Successful filmmakers possess the passion to visually tell a story that will affect people's emotions, make them see things differently, help them discover new ideas, or just create an escape for them.
Whether you love the experience of being enthralled by movies or the excitement, challenge, and magic of making the movie yourself, Filmmaking For Dummies is your primer to creating a respectable product. For the seasoned professional, this friendly reference can inspire you with fresh ideas – before you embark on your next big flick. Get ready to roll with expert information on
- Defining the difference between independent and studio films
- Knowing what genre fits your fancy
- Finding perfect locations
- Storyboarding your film
- Directing the action
- Giving credit and titles
Written from the author's 30 years of hands-on work as a writer, producer, and film director, Filmmaking For Dummies carries you through from screenplay to distribution, with lots of experience-packed insight into
- Writing or finding a screenplay
- Raising financing for your film
- Budgeting and scheduling your film
- Hiring the right actors and crew
- Planning, shooting, and directing your film
- Putting your film together in the editing room
- Finding a distributor to get your film in from of an audience
- Entering (and maybe even winning) film festivals
Taking into account the advent of digital technology, author Bryan Michael Stoller focuses on creative elements that apply to both film and video production. He also points our technical differences and notes the many similarities between traditional and newer age making of motion pictures – all in a fun and engaging way that'll have you shooting for the stars!
